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In essence, this means I can achieve the same image quality using the XF as I do taking commissioned shots with my X-T2 camera. In fact, many of the images I have captured with the Xseries cameras have been used professionally in a range of settings, from album covers through to travel guides.


The XF also allows you to not only customise the majority of the physical buttons on the camera, but also to have full control over the captured file. The power features continue with face and eye detection, which are very handy for casual shooting at family events or while on holiday.

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I really love the digital viewfinder as it offers an accurate prediction of how the image will appear, with any custom settings, exposure compensation or Film Simulation options you may have applied. The lens on the XF is the same as on previous models. The XF sees an improved autofocus system over previous models, with an easily accessible thumb stick that allows quick and easy control over the autofocus point.

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Focus tracking is much improved too, while back-button focus shows the XF to be a photographic tool for every situation. Fujifilm offers two conversion lenses for the X series cameras: a wide-angle converter that changes focal length to a full-frame equivalent or 27mm, and a tele-conversion lens that brings it up to 50mm.

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I pack both lenses when travelling, the latter being a favourite for closer portrait work. The XF also introduces a new Digital Teleconverter system that boost effective focal length to 50mm and 70mm approx , and this digital conversion also works with the teleconverter lens attached. You can rotate through the two additional focal lengths by rotating the barrel ring, as you would on a zoom lens. The XF is a fixed-lens version of X-Pro2 or X-T2, and the 35mm focal length full-frame equivalent is exceptionally versatile.

That said, the 50mm and 70mm digital conversion offers additional scope, especially when photographing people. One of my favourite features on the X-series cameras is the Film Simulation modes.

The Film Simulations are easily accessible from a single button on the back of the cameras, and the XF provides a preview via the digital viewfinder. The XF offers two types of shutter mode, mechanical and electronic. You can select either option, or allow the camera to decided which is the best option based on metering. In addition, you can turn off the camera's sound effects, focus-assist light and the flash, and with the electronic shutter this offers as close to silent and discreet shooting as possible. The X series cameras all offer the ability to capture and automatically stitch large panorama images.

When in the panoramic mode, you simply sweep the camera across a scene and you will hear the shutter capturing a series of images that are then stitched together into a single JPEG file.

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If you have lots of changing light levels it can take a few attempts to get a clean JPEG without any issues, but the resultant files are excellent. I even have a few printed large and mounted on the studio wall.

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The difference is a manual shows what the buttons are and how they work. A handbook is more of a guide. The author gave tips and suggestions on how to get the best out of the X based on his own experience with the camera. Read about the features and what it is like to use them.

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